Page 46 - The Lugdunum Auction 24
P. 46

The bonfire of the Vanities


                    Another historical figure, can be connected  to
                    this medal: Girolamo Savonarola, the infamous
                    Dominican friar and preacher who became the
                    ruler of Florence after the death of Lorenzo the
                    Magnificent in 1492.
                    Violently denouncing political and clerical cor-
                    ruption,  he  called  for  Christian  renewal and
                    founded  what  could  be  described  as  the  first
                    ever clerical dictature in Western history.
                    On 7th of February 1497, took place one of the
                    most dramatic events of his rule, the well-known
                    Bonfire of the Vanities.                       The Bonfire of the Vanities,  on 7th February 1497

                    There in the middle of the public square of Florence, on Shrove Tuesday, thousands of books, cosmetics
                    and objects of art, considered as occasions of sin, where collected in the city by the supporters of Girolamo
                    Savonarola and burned down in an immense fire. Botticelli himself, according to contemporary testimo-
                    nies, threw some of its master paintings into the fire.
                    And  we  can  imagine,  how  the  medals  of  Pico  della  Mirandola,  with  their  suggestive  reverse
                    iconography, might  have  been  among  the  numerous  objects  of  art  destroyed  in  this  fire,  a  fact  that
                    could explain why this medal is so rare, being possibly the only contemporary specimen having been
                    able to miraculously escape Savonarola’s terrible Bonfire of the Vanities.

                                          The three Graces of the Piccolomino Library

                                                                 The reverse of this medal depicts the three Gra-
                                                                 ces,  the  well-known  Goddesses  Euphrosyne,
                                                                 Aglaia and Thalia, from the Greek mythology in
                                                                 whom beauty was deified.

                                                                 What is    really  interesting,  is  that this


                                                                 iconography  appears  here  for  the  first  time
                                                                 since Antiquity on a medal and will have a very
                                                                 large success for the following centuries.
                                                                 The representation of the three Graces on this
                                                                 medal might have been inspired by an antique
                                                                 statuary group which for a long time was belie-
                                                                 ved to be unique.  It was found in Rome toward
                                                                 the middle of the fifteenth Century, on the site of
                                                                 the Palazzo Colonna and presented to Cardinal
                                                                 Francesco Piccolomini, a great lover of art, who
                                                                 treasured it as one of the chief ornaments of his
                                                                 own  palace.







                                                                 Later the sculpture found its way to the famous
                        The three Graces at the Piccolomini Library in the
                                   Duomo of Sienna               Piccolomini  Library  in  the  Duomo  of  Siena,
                                                                 where the Three Nude Graces stood on a











                                                                 beautiful pedestal as a symbol of the recovered




                                                                 beauty of Antiquity  placed  into  the  heart  of

                                                                 Christianity.

                                                            46
   41   42   43   44   45   46   47   48   49   50   51